Agee, James Rufus
Allard, William Albert
Andersen, Thomas Folke
Anderson, Margaret C.
Asif, Usman B.
Auden, Wystan Hugh
Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.
It therefore should be possible for even the photographer - just as for the creative poet or painter - to use the object as a stepping stone to a realm of meaning completely beyond itself.
Clarence John Laughlin
The whole thrust in my life right now is spinning my assignments around and making them work in a more personal way (...) I wanted to go back and do the original thing: one camera, one lens, one film. You really have to put yourself in a position of danger to be creative.
David Alan Harvey
In the 1930’s – 40’s commercial photographers were considered the artists of their times. The scene shifted in the 1950’s – 60’s and the photojournalists who worked for Life and Look magazines were the most celebrated photographic artists. Today photojournalists are no longer in demand to tell us about the world, because TV does it with the evening news. Mass media magazines now use photographers to illustrate stories on movie stars, sports and newsmakers and are no longer the creative galleries for commercial and editorial photography.
, Publish Your Photo Book: A Guide to Self Publishing by Bill Owens , ISBN: 0960246207 , Page: 7
This book is available from
The creative life of the commercial photographer is like the life of a butterfly. Very seldom do we see a photographer who is really productive for more than eight or ten years.
Photography, February 1964 [cited in: Creative Camera February 1972, p. 472]
Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way.
Howard S. Becker
Afterimage, May-June 1975 [cited in: Creative Camera October 1975, p. 329]
There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.
PHOTOGRAPHIC EDUCATION. (From an unpublished manuscript, 1965.)
We are seeing many technically efficient people coming out of this digital shift, but the creative eye is something you cannot manufacture. 3-1-2010
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