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[..] let us now proceed to the analysis of the main types of photographer, who fall within eight main groups: 1. Button-Pressers, 2. Gadget Fetishists, 3. Hit-or-Miss Optimists, 4. Theoretical, Technical and Gadget Dabblers, 5. One-Operation Experts 6. Stunt-Merchants and Imitators, 7. Pseudo-Photographers and Arty-Crafties, 8. Expert Craftsmen-Technicians
“Erith on pictorial photography”, The Fountain Press, London 1951, p. 18.
At the present time, photographs have a far wider appeal than modern art, much of which is unintelligible and meaningless, except to a few aesthetes.
[“Erith on pictorial photography”, The Fountain Press, London 1951, p. 148].
