DUANE MICHALS
[b. 1932] American photographer

 
The best part of us is not what we see, it's what we feel. We are what we feel. We are not what we look at . . .. We're not our eyeballs, we're our mind. People believe their eyeballs and they're totally wrong . . .. That's why I consider most photographs extremely boring--just like Muzak, inoffensive, charming, another waterfall, another sunset. This time, colors have been added to protect the innocent. It's just boring. But that whole arena of one's experience--grief, loneliness--how do you photograph lust? I mean, how do you deal with these things? This is what you are, not what you see. It's all sitting up here. I could do all my work sitting in my room. I don't have to go anywhere. - Duane Michals
If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by. - Duane Michals
The only thing we know for sure is what we experience. If you look at a photograph of somebody crying, you register grief. But in fact, you don't know what people are experiencing at all. You're always protecting your version of what that emotion is. What is known is only what I know. The only truth I know is my own experience. I don't know what it means to be black. I don't know what it means to be a woman. I don't know what it means to be Cartier-Bresson. So I have to define my work in terms of my own truth. That's what the journey is all about, if you are to use your own instincts. The great wonder is that we each have our own validity, our own mysteries. It's the sharing of those gifts that makes artists artists. - Duane Michals
Photography deals exquisitely with appearances, but nothing is what it appears to be. - Duane Michals
1966
I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways. - Duane Michals , More Joy of Photography by Eastman Kodak (Editor)
Trust that little voice in your head that says 'Wouldn't it be interesting if...." And then do it. - Duane Michals , More Joy of Photography by Eastman Kodak (Editor)
I often try to photograph things about a person that are not visible. - Duane Michals , Great Themes : LIFE Library of Photography by Time-Life (Editor) , Page: 114
My gift to you is that I am different. - Duane Michals
in an interview with Anne Tucker.
I am interested in the nature of things. The nature of something is quite different from the way it looks. - Duane Michals
in an interview with Anne Tucker.
And in not learning the rules, I was free. I always say, you're either defined by the medium or you redefine the medium in terms of your needs. - Duane Michals
Because of my involvement with my photographs, it is difficult for me really to see them objectively. Talking about them is like talking about myself. The only real idea that I have about them is that they are essentially snapshots. For snapshots, I feel, often have an inherent simplicity and directness that I find beautiful. The roots of my photographs are in this tradition.

However, I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful. - Duane Michals , Views on nudes by Bill Jay , ISBN: 0240507312 , Page: 80

If I was concerned about being accepted, I would have been doing Ansel Adams lookalikes, because that was easily accepted. Everything I did was never accepted...but luckily for me, my interest in the subject and my passion for the subject took me to the point that I wasn't wounded by that, and eventually, people came around to me. - Duane Michals
Taking the photograph is the easiest part for me. - Duane Michals
I am an expressionist and by that I mean that I'm not a photographer or a writer or a painter or a tap dancer, but rather someone who expresses himself according to his needs. - Duane Michals
I do not walk the streets with my camera looking for life. I am not a reporter. I am not a spectator. I am life. I am it. The images that I see in my mind are infinitely more me and real to me than any chance, accidental event I might witness in the streets. I am my own limitations. Every event in my consciousness is stuff for my photographs. At the centre of my seeing is my life experience as the event. I can sit in my room and the univone_comes to me. I am in flux. At the centre of my being is nothing. I do not invent ideas any more than I consciously make my fingernails grow. Everything is quite extraordinary, but we use all our energies to make things ordinary. Photographers look too much and do not question the very mechanics of their experience. They take it all for granted: they shouldn't. One must invent photographs that are essentially doomed to failure because they can at best be only approximations, shadows of reality as we are shadow. Sequences are to me like haiku, just moments, I was dissatisfied with the single image because I could not bend it to a wider expression. In a sequence the sum total of all the photographs suggest something that no one picture could say. There is no point to doing a sequence, unless the sequence makes a point. Otherwise it becomes an exercise in cleverness. It must go beyond itself. At this point in my work it seems very natural that I would have arrived at the concept of sequential stories. - Duane Michals
from Chance Meeting
l always said I want my photographs to whisper. Whereas a lot of photographs shout to get attention. - Duane Michals
Photography books often have titles like The Photographer’s Eye or The Vision of So and So or Seeing Photographs —as if photographers didn’t have minds, only eyes. - Duane Michals
I like photographs to be unresolved. I think everything’s a drama—my standing here is a drama, your sitting there is a drama—and I don’t think photographs should tell you too much. Photographs should make you come to them. They shouldn’t spill the beans. - Duane Michals
Not having gone to photography school, I never learned the rules. - Duane Michals
Photography to me is a matter of thinking rather than looking, it’s revelation, not description. - Duane Michals
I believe in the imagination. What I cannot see is infinitely more important than what I can see. - Duane Michals
People believe in the reality of photographs, but not in the reality of paintings. That gives photographers an enormous advantage. Unfortunately, photographers also believe in the reality of photographs. - Duane Michals
The camera is like a typewriter, in the sense in which you can use the machine to write a love letter, a book, or a business memo. - Duane Michals
Don’t try to be an artist: try to be true. If your vision is honest, art will find you. - Duane Michals
I use photography to help me explain my experiences to myself. - Duane Michals
I never photograph sunsets and I never photograph moonrises. I’m not interested in what things look like. - Duane Michals
A photograph is not worth a thousand words. Everything is, after all, a thought. - Duane Michals
Everything is subject for photography, especially the difficult things of our lives: anxiety, childhood hurts, lust, nightmares. The things that cannot be seen are the most significant. They cannot be photographed, only suggested. - Duane Michals
Most portraits are lies. People are rarely what they appear to be, especially in front of a camera. You might know me your entire lifetime and never reveal yourself to me. To interpret wrinkles as character is insult not insight. - Duane Michals