[b. 1949] American photographer
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My interest in photography is not to capture an image I see or even have in my mind, but to explore the potential of moments I can only begin to imagine.
In my early work, I used the black frame (the negative's actual border), to interact dramatically with my subjects. Their improvisations play off the frame as though it were a real container. The frame often confines or radically crops them to imply entrances, exits and off-screen space.
My inspiration has always been photography's ability to stop time and reveal what the naked eye cannot see.
