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[1931 – 2006] American artist who referred to himself as a "paraphotographer"
Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic world of their own. There is a vast difference between taking a picture and making a photograph. - Robert Heinecken

Some of my enthusiasm for the [found] photograph was based on the fact that there was some residual illusion of reality in it always, no matter what I did to it. - Robert Heinecken

An aspect of the work has to do with altering the literal/cultural meaning of existing public images by making minimal changes and additions. Using superimposition, juxtaposition and other contextual changes, I am functioning as a visual guerrilla. - Robert Heinecken

I have the feeling that there are things happening that are really very interesting things, if we can somehow find the key that makes them visible. - Robert Heinecken

I am interested in the relationships and play between an unfamiliar picture/object context and the familiar photographic image. - Robert Heinecken

I am interested in what I term gestalts; picture circumstances which bring together disparate images or ideas so as to form new meanings and new configurations. - Robert Heinecken

I was never in a school situation where someone said, “This is the way a photograph is supposed to look.” I was completely open to cut them up, or do anything like that. I think if I had been in touch with people earlier, then I wouldn’t have felt comfortable doing that. It would have been too bizarre. - Robert Heinecken

The photograph... is not a picture of something, but is an object about something. - Robert Heinecken

By confusing distinctions between what constitutes eroticism versus pornography versus beauty versus banality—that’s all one continuum. It is an interesting source, and I do feel that the most highly developed sensibility I have is sexual, as opposed to intellectual or emotional, and I think it’s a matter of understanding that and accepting that and not trying to alter myself. - Robert Heinecken

The figure, because of its human, erotic, sensual, and psychological connections, remains my primary subject interest and is the vehicle for the formal content of the work. - Robert Heinecken

I sometimes visualize myself as a bizarre guerrilla, investing in a kind of humorous warfare in which a series of minimal, direct, invented acts result in maximum extrinsic effect, but without consistent rationale. - Robert Heinecken

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